Oct 29, 2018 macOS supports TrueType (.ttf), Variable TrueType (.ttf), TrueType Collection (.ttc), OpenType (.otf), and OpenType Collection (.ttc) fonts. MacOS Mojave adds support for OpenType-SVG fonts. Legacy suitcase TrueType fonts and PostScript Type 1 LWFN fonts might work but aren't recommended.

1. Russian Fonts For Mac Os X Lion
2. Free Russian Fonts For Mac
3. Installing Fonts Mac Os
4. Russian Fonts For Mac Os X El Capitan
5. Mac Os Font For Windows

Unicode and multilingual support in HTML, fonts, Web browsers and other applications

Aug 23, 2003 Classic applications can’t see fonts in any of the other font folders above (except for Adobe Classic applications, which will look in the Adobe folder inside the Application Support folder of Classic’s System Folder).When a Mac OS X application asks the operating system to find a font, the system looks in the locations in the order listed. After expanding the archive, open the iTunes Scripts for Mac OS X, then navigate into AppleWorks 6.2.2 Stuff - ITC Fonts. There you’ll find a collection of 25 fonts—everything from decorative. Jan 29, 2009  I received a file with content in Russian but this will not display. I guess I have to install the Russian fonts/characters. OS X already has fonts installed for Russian, there is no need to download anything or change any preferences. Most likely your document is in a legacy encoding instead the standard Unicode used by your Mac.

Caution and apology

I regret that I no longer have the time to keep this website up-to-date. The test pages include the Unicode 6.3 characters, and some of the Unicode 7.0 characters, but nothing more recent. The pages of fonts and utilities have not been updated for several years.

Introduction

Before Unicode became widely supported, it was not uncommon to face problems such as trying to include a passage in a different alphabet in one of your documents, for example a quotation in Russian in an English document, only to find that you had no Cyrillic characters available. Or to send a Spanish document in electronic form to someone in Greece, only to be told that the accented Latin characters had been replaced by Greek characters. Or to produce a Web page that included technical symbols and found that it worked with Windows but not with Mac OS or Unix. Problems like these arose with non-Latin alphabets and Symbol font because in those days most computers used fonts that contained a maximum of 256 characters. The first 128 characters (the ASCII characters) of most fonts included punctuation marks, numbers and the letters a–z and A–Z, and were not a problem. In the USA, Canada, the United Kingdom, the rest of the English-speaking world and much of Western Europe, the second set of 128 characters comprised more punctuation marks, some currency symbols (such as £ and ¥) and a lot of accented letters (such as á, ç, è, ñ, ô and ü). Older English versions of Microsoft Windows, and several other language editions, used this set of 256 characters, which is known as the ANSI character set.

If you lived in a country such as Egypt, Greece, Israel, Russia or Thailand that uses a different alphabet, then your version of Windows used a different character set. The first 128 characters were the same as in ANSI, but many of the places in the second set of 128 were taken by characters from the Arabic, Greek, Hebrew, Cyrillic or Thai alphabets. When documents started to be transferred electronically as e-mail messages, e-mail attachments or Web pages, instead of on paper, reading documents from another country, particularly a country with a different alphabet, became more and more of a problem. There were similar problems when moving documents between operating systems such as DOS, Windows, Mac OS and UNIX.

The solution was to leave behind the assortment of 8-bit fonts with their limit of 256 characters, where the same character number represented a different character in different alphabets, and move to a system that assigns a unique number to each character in each of the major languages of the world. Such a system was developed and is known as Unicode. It is intended for use on all computer systems, not just Windows, and covers Chinese, Japanese and Korean as well as the alphabets for many other languages and scripts, plus a large number of special characters. Some Unicode support has been included in Microsoft Windows since Windows 95, and Windows NT 4, Windows 2000, Windows XP, Windows Vista, Windows 7 and Windows 8 are based on Unicode instead of the ANSI or WGL4 character sets. Some Unicode support has been included in Mac OS since Mac OS 8.5, but prior to Mac OS X 10 only limited use was made of it by applications. Unicode is sometimes referred to as a 16-bit system, which would allow for only 65,536 characters, but this is not correct, and Unicode has the potential to cope with over one million unique characters.

The current version (6.3.0) of the Unicode Standard, developed by the Unicode Consortium, assigns a unique identifier to each of 110,187 graphical, formatting and control characters, covering the scripts of the world’s principal written languages and many mathematical and other symbols. A previous version (2.1) of the Unicode Standard encompassed 38,887 characters and was adopted as part of the recommendations for HTML 4.0.

On this Web site, I have tried to gather together practical information about Unicode and the increasing number of applications and fonts that support it, intended to help people who are trying to use Unicode to produce standardised multilingual and technical documents. The pages on the site include:

Test pages for Unicode ranges

Lists of Unicode characters that you can use to test the Unicode support of your Web browser and fonts.

Search for a Unicode character

Search the test pages to find any character that you want to use.

Fonts for each Unicode range

A list of Unicode ranges and the fonts that support them.

Unicode fonts

Lists of fonts for Windows, Mac OS 9, Mac OS X 10 and Unix, with the Unicode ranges they support, and where to obtain them.

Browsers for Apple Macintosh computers

How to enable Unicode support in Web browsers under Mac OS 9.

Internet Explorer for Windows

How to enable Unicode support in IE 4, IE 5, IE 5.5 and IE 6.

Netscape for Windows

How to enable Unicode support in Netscape Communicator 4.x and 6.x.

Editors and word processors

Applications for Windows, Mac OS 9, Mac OS X 10 and Unix that can produce Unicode text, HTML and word processor documents.

File conversion, font and keyboard utilities

Utilities for Mac OS 9, Mac OS X 10, Windows and Unix that can convert files to and from Unicode, view the characters in Unicode fonts, or re-map your keyboard to type Unicode characters.

Creating multilingual Web pages

HTML code, fonts and editors to help you produce Web pages with multiple scripts and languages

For a complete list of pages on the site, please see the Site Map.

Test pages for Unicode character ranges

The pages in the following list can be used to display the ranges of characters defined in the Unicode 6.3.0 Character Database, within the limitations imposed by your Web browser and the fonts that you have installed. There is also a page with a sample of Unicode characters from each range.

Web sites of other Unicode proponents

Alan Flavell

Unicode test material

Andrew Cunningham

Multilingual Unicode web page development

Apple Computer, Inc.

Unicode Utilities

Babel

Towards communicating on the Internet in any language..

Brian Wilson

Text in HTML..

Bruno Haible

The Unicode HOWTO (for Linux)

Christoph Singer

Slavic Text Processing and Typography

Daniel Tobias

Dan's Web Tips: Characters and Fonts

Frank da Cruz

UTF-8 Sampler

Henry Churchyard

Latin 1 and Unicode characters in &ampersand; entities

Jukka Korpela

Using national and special characters in HTML

Markus Kuhn

UTF-8 and Unicode FAQ for Unix/Linux

Michael Everson

Evertype

Microsoft

Global Software Development and Computing Portal

Nelson H. F. Beebe

Fonts for the Unicode Character Set

Oscar van Vlijmen

Unicode browser display

Roman Czyborra

Unicode in the Unix Environment

Sun

Unicode Support in Solaris

Tex Texin

Internationalization (I18n), Localization (L10n), Standards, and Amusements

TITUS

Titus Is Testing Unicode Scriptmanagement

Tom Gewecke

Unleash your Multilingual Mac

Unicode Consortium

Unicode Home Page

Wazu Japan

Gallery of Unicode Fonts

Copyright © 1999–2016 Alan Wood
Page created 3rd February 1999 – Page last updated 15th November 2015
Site last updated 3rd May 2016
Send comments or questions to Alan Wood

MC-OS-MJV-Dark-Mode:this is the gnome-interpreation of the Mac OS Mojave-dark-theme (TM) McOS-HS. This one contains the Mac OS High Sierra (TM) interpretation ( McOS-HS) McOS-YS. This older theme is the gnome-adaptation of the OSX-Yosemite (TM) McOS-SPG. And finally a gnome-theme based on the looks of Logic Pro (TM) and Garageband (TM) called. Jun 30, 2018  Manual macOS High Sierra Dark Mode Theme Installation. Extract the zip file to the themes directory i.e. To set the theme in Gnome, run the following commands in Terminal: gsettings set org.gnome.desktop.interface gtk-theme 'macOS High Sierra Dark' gsettings set org.gnome.desktop.wm.preferences theme 'macOS High Sierra Dark'. Jan 24, 2020  Sierra is a Mac OSX like theme for GTK 3, GTK 2 and Gnome-Shell which supports GTK 3 and GTK 2 based desktop environments like Gnome, Pantheon, XFCE, Mate, etc. This theme is based on Arc gtk theme of horst3180. Apple has formally launched macOS high Sierra on the App save for fans and is the usage of macOS. In case you are the usage of home windows running device but pick macOS excessive Sierra interface, this subject may be an excellent choice for you. Mac os x high sierra. Mar 03, 2020  It comes with OS X Yosemite/iOS 8 themes, wallpapers, user pictures, and logon screen. It can Start the Orb matching OS X Yosemite themes without modifying system files. It comes with OS X Dock emulation with pre-configured docklets optimized for stability/performance. It comes with a dashboard and Spaces with shortcut keys configured.

Apple's Macintosh computer supports a wide variety of fonts. This support was one of the features that initially distinguished it from other systems.

Fonts[edit]

System fonts[edit]

The primary system font in OS X El Capitan and above is San Francisco. OS X Yosemite used Helvetica Neue, and preceding versions largely employed Lucida Grande. For labels and other small text, 10 pt Lucida Grande was typically used. Lucida Grande is almost identical in appearance to the prevalent Windows font Lucida Sans, and contains a larger variety of glyphs.

MacOS ships with multiple typefaces, for multiple scripts, licensed from several sources. MacOS includes Roman, Japanese and Chinese fonts. It also supports sophisticated font techniques, such as ligatures and filtering.

Many of the classic Macintosh typefaces included with previous versions remained available, including the serif typefaces New York, Palatino, and Times, the sans-serif Charcoal and Chicago, Monaco, Geneva and Helvetica. Courier, a monospaced font, also remained.^[1]

In the initial publicly released version of Mac OS X (March 2001), font support for scripts was limited to Lucida Grande and a few fonts for the major Japanese scripts. With each major revision of the OS, fonts supporting additional scripts were added.

Zapfino[edit]

Zapfino is a calligraphic typeface designed by and named after renowned typeface designer Hermann Zapf for Linotype.^[2][3] Zapfino utilizes advanced typographic features of the Apple Advanced Typography (AAT) 'morx' table format and is included in OS X partially as a technology demo. Ligatures and character variations are extensively used. The font is based on a calligraphic example by Zapf in 1944. The version included with macOS is a single weight. Since then, Linotype has introduced “Linotype Zapfino Extra” which includes the additional “Forte” weight with more options and alternates.

Several of the GX fonts that Apple commissioned and originally shipped with System 7.5 were ported to use AAT and shipped with Mac OS X 10.2 and 10.3. Hoefler Text, Apple Chancery and Skia are examples of fonts of this heritage. Other typefaces were licensed from the general offerings of leading font vendors.

LastResort[edit]

The LastResort font is invisible to the end user, but is used by the system to display reference glyphs in the event that glyphs needed to display a given character are not found in any other available font. The symbols provided by the LastResort font place glyphs into categories based on their location in the Unicode system and provide a hint to the user about which font or script is required to view unavailable characters. Designed by Apple and extended by Michael Everson of Evertype for Unicode 4.1 coverage, the symbols adhere to a unified design. The glyphs are square with rounded corners with a bold outline. On the left and right sides of the outline, the Unicode range that the character belongs to is given using hexadecimal digits. Top and bottom are used for one or two descriptions of the Unicode block name. A symbol representative of the block is centered inside the square. The typeface used for the text cutouts in the outline is Chicago, otherwise not included with macOS. LastResort has been part of Mac OS since version 8.5, but the limited success of Apple Type Services for Unicode Imaging (ATSUI) on the classic Mac OS means that only users of macOS are regularly exposed to it.

Lucida Grande[edit]

Of the fonts that ship with macOS, Lucida Grande has the broadest character repertoire. This font provides a relatively complete set of Arabic, Roman, Cyrillic, Hebrew, Thai and Greek letters and an assortment of common symbols. All in all, it contains a bit more than 2800 glyphs (including ligatures).

In macOS v10.3 ('Panther'), a font called Apple Symbols was introduced. It complements the set of symbols from Lucida Grande, but also contains glyphs only accessible by glyph ID (that is, they have not been assigned Unicode code points). A hidden font called .Keyboard contains 92 visible glyphs, most of which appear on Apple keyboards.

Font management[edit]

System 6.0.8 and earlier[edit]

Originally, the Macintosh QuickDraw system software supported only bitmapped fonts. The original font set was custom designed for the Macintosh and was intended to provide a screen legibility. These system fonts were named after large cities, e.g. New York, Chicago, and Geneva. (See Fonts of the Original Macintosh.)

Bitmapped fonts were stored as resources within the System file. A utility called Font/DA Mover was used to install fonts into or remove fonts from the System file. Fonts could be embedded into Macintosh applications and other file types, such as a HyperCard stack. Unused fonts were stored in a suitcase file.

The ImageWriter printer supported a higher resolution mode where bitmap fonts with twice the screen resolution were automatically substituted for 'near letter quality' printing. (For example, a 24-point bitmapped font would be used for 12-point printing.) This feature was sometimes called two-times font printing. Some later Apple QuickDraw-based laser printers supported four-times font printing for letter quality output.

With the introduction of the LaserWriter and support for PostScript-compatible printers, the Mac system software initially supported outline fonts for printing only. These outline fonts could be printed in letter quality at any size. PostScript fonts came with two files; a bitmap font was installed into the System file, and an outline font file was stored in the System Folder. Some of the bitmapped “city” fonts were automatically replaced by PostScript fonts by the printer driver. Commercial typefaces such as Times and Helvetica began to be distributed by Apple, Adobe Systems and others.

The Adobe Type Manager (ATM) system extension allowed PostScript outline fonts to be displayed on screen and used with all printers (PostScript or not). This allowed for true WYSIWYG printing in a much broader set of circumstances than the base system software, however with a noticeable speed penalty, especially on Motorola 68000-based machines.

After the release of System 7, Apple added System 6 support for TrueType outline fonts through a freely available system extension, providing functionality similar to ATM. Apple provided TrueType outline files for the bitmapped 'city' system fonts, allowing letter quality WYSIWYG printing.

A reboot was required after installing new fonts unless using a font management utility such as Suitcase, FontJuggler or MasterJuggler.

System 7 – Mac OS 9[edit]

A highly touted feature of System 7 was integrated TrueType outline font support, which received industry support from Microsoft. Fonts were still stored in the System file but could be installed using drag-and-drop. To install new fonts, one had to quit all applications.

Despite this, ATM and PostScript Type 1 fonts continued to be widely used, especially for professional desktop publishing. Eventually Adobe released a free version of their utility, called ATM Light.

In System 7.1, a separate Fonts folder appeared in the System Folder. Fonts were automatically installed when dropped on the System Folder, and became available to applications after they were restarted. Font resources were generally grouped in suitcase files. However, rules for storing printer fonts varied greatly between different system, printer and application configurations until the advent of the new Fonts folder. Typically, they had to be stored directly in the System Folder or in the Extensions Folder.

System 7.5 added the QuickDraw GX graphics engine. TrueType GX supported ligatures and other advanced typography features. However little software supported these features and PostScript remained the standard.

Starting with Mac OS 8.5, the operating system supported data fork fonts, including Windows TrueType and OpenType. In addition, Apple created a new format, called PostScript variant.

Fonts in the /System/Library/Fonts folder and the /Library/Fonts folder are available to all users. Fonts stored in a user's ~/Library/Fonts folder are available to only that user. Previously, up to OS X 10.4, both Mac OS 9 applications running in the legacy Classic Environment and native applications could access fonts stored in the Mac OS 9 system folder

macOS includes a software rasterizer that supports PostScript. Thus eliminating the need for the Adobe Type Manager Light program. The built-in text editing supports advanced typesetting features such as adjustable kerning and baseline, as well as a few OpenType features.

Support for QuickDraw GX fonts was dropped in macOS in favor of TrueType fonts using AAT features. Bitmap fonts are only used on screen if there is a corresponding vector form (which is always used in printing).

Since OS X v10.3 (Panther), a utility called Font Book has been included with the operating system allowing users to easily install fonts and do basic font management.

Third-party font managers[edit]

As desktop publishing took off and PostScript and other outline font formats joined the bitmap fonts, the need for unified font management grew. A number of third parties have created tools, such as Suitcase, for managing font sets. For example, they allowed enabling or disabling fonts on-the-fly, and storing fonts outside of their normal locations. Some even allow the use of Windows .ttf font files natively on systems prior to macOS.

Font technology[edit]

TrueType and PostScript[edit]

TrueType is an outline font standard developed by Apple in the late 1980s, and later licensed to Microsoft, as a competitor to Adobe's Type 1 fonts used in PostScript, which dominated desktop publishing.

The outlines of the characters in TrueType fonts are made of straight line segments and quadratic Bézier curves, rather than the cubic Bézier curves in Type 1 fonts. While the underlying mathematics of TrueType is thus simpler, many type developers prefer to work with cubic curves because they are easier to draw and edit.

While earlier versions of the Mac OS required additional software to work with Type 1 fonts (as well as at least one bitmap copy of each Type 1 font to be used), macOS now includes native support for a variety of font technologies, including both TrueType and PostScript Type 1.

Microsoft, together with Adobe, created an extended TrueType format, called OpenType. Apple, however, continued to develop TrueType. A 'Zapf' table, for example, maps composite glyphs to characters and vice versa and adds other features. The table was named after typeface creator Hermann Zapf with permission.^[3]

QuickDraw GX[edit]

QuickDraw GX was a complete overhaul of the Macintosh graphics system, including the font system, which was rolled out for System 7.5 in 1995. QuickDraw GX fonts could be in either TrueType or PostScript Type 1 formats and included additional information about the glyphs and their purpose. Advanced features, such as ligatures, glyph variations, kerning information and small caps, could be used by any GX enabled application. Previously, they had typically been reserved for advanced typesetting applications.

Microsoft was refused a license to GX technology and chose to develop OpenType instead. GX typography and GX technology as a whole never saw widespread adoption. Support for GX was dropped in later versions.

AAT covers much of the same ground as OpenType. It incorporates concepts from the Multiple Master font format, which allows multiple axes of traits to be defined and an n-dimensional number of glyphs to be accessible within that space. AAT features do not alter the underlying characters, but do affect their representation during glyph conversion.

AAT is supported in IBM’s open source ICU library, which implements support for AAT fonts under Linux and other open source operating systems.

Hinting technology[edit]

Hinting is the process by which TrueType fonts are adjusted to the limited resolution of a screen or a relatively low resolution printer. Undesired features in the rendered text, such as lack of symmetry or broken strokes, can be reduced. Hinting is performed by a virtual machine that distorts the control points that define the glyph shapes so that they fit the grid defined by the screen better. Hinting is particularly important when rendering text at low effective resolution: that is, with few pixels per character.

Hinting is part of the TrueType specification, but Apple held three patents in the United States relating to the process:

• US 5155805 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 8, 1989)
• US 5159668 'Method and apparatus for manipulating outlines in improving digital typeface on raster output devices' (filed May 8, 1989)
• US 5325479 'Method and apparatus for moving control points in displaying digital typeface on raster output devices' (filed May 28, 1992)

Russian Fonts For Mac Os X Lion

Until they expired, Apple offered licensing of these patents. Microsoft had access to Apple's TrueType patents through cross-licensing. These patents have proven problematic to developers and vendors of open source software for TrueType rendering, such as FreeType. To avoid infringing on the patents, some software disregarded the hinting information present in fonts, resulting in visual artefacts. FreeType developed an automatic hinting engine, but it is difficult to beat the explicit hinting guidelines provided by the typeface designer. The problem of lacking hinting could also be compensated for by using anti-aliasing, although a combination of the two produces the best result.

Subpixel rendering[edit]

OS X/macOS uses subpixel rendering. Version 10.2 introduced subpixel rendering of type and Quartzvector graphics. This feature is enabled using the System Preferences panel 'General' (10.2) or 'Appearance' (10.3), by setting the font smoothing style to 'Medium — best for Flat Panel'. OS X 10.4 introduced an 'Automatic' setting which transparently chooses either 'Medium' or 'Standard,' depending on the type of main display. The quality of the rendering compared to Microsoft's ClearType and FreeType is contested, and is largely a matter of reader preference. However, Apple's approach differs from that of ClearType and FreeType in that TrueType hinting instructions are discarded for all but the smallest type sizes. This results in more consistency of rendering on Mac OS at the expense of allowing type designers a level of fine tuning through hints.

Fonts of the original Macintosh[edit]

Approximately 12 fonts were included with the classic Mac OS (versions 1–9). With the sole exception of Bill Atkinson's Venice typeface, the fonts included with the original Macintosh were designed by Susan Kare, who also designed most of the Macintosh's original icons.

The Macintosh was an early example of a mainstream computer using fonts featuring characters of different widths, often referred to as proportional fonts. Previously, most computer systems were limited to using monospaced fonts, requiring, for example, i and m to be exactly the same width. Vector-based fonts had yet to appear in the personal computer arena, at least for screen use, so all the original Mac's typefaces were bitmaps. Fonts were available in multiple sizes; those sizes installed on a system would be displayed in the font menu in an outline style.

From System 1 through Mac OS 7.6, the default system fonts for Mac OS were Chicago for menus and window titles and Geneva for Finder icons, and they could not be customized. The fonts for Finder icons became customizable starting in System 7. It is accessible in the 'Views' control panel. In Mac OS 8 and Mac OS 9, the default system font was changed to Charcoal menus and window titles, but it could be customized in Preferences.

Naming[edit]

After designing the first few fonts, the team decided to adopt a naming convention. First, they settled on using the names of stops along the Paoli, Pennsylvania, commuter rail line: Overbrook, Merion, Ardmore, and Rosemont. Steve Jobs had liked the idea of using cities as the names, but they had to be 'world class' cities.^[4]

Variants[edit]

Variants of each font were algorithmically generated on-the-fly from the standard fonts. Bold, italic, outlined, underlined and shadowed variations were the most common, though some applications also included subscript and superscript.

Free Russian Fonts For Mac

Outline, shadow and underline are not always supported by modern software and fonts.

Apple logo[edit]

Apple's fonts and the Mac OS Romancharacter set include a solid Apple logo. One reason for including a trademark in a font is that the copyright status of fonts and typefaces is a complicated and uncertain matter. Trademark law, on the other hand, is much stronger. Third parties cannot include the Apple logo in fonts without permission from Apple.^{[citation needed]} Apple states in the MacRoman to Unicode mapping file that:

On regular US QWERTY keyboards, the logo character can be typed using the key combination Shift Option K (⇧⌥K). In MacRoman, the Apple logo has a hex value of 0xF0. The Apple logo has not been assigned a dedicated Unicode code point, but Apple uses U+F8FF () in the Private Use Area.

Note that the logo does have a unique PostScript name in the Adobe Glyph List - /apple, mapping to F8FF.

List[edit]

• Athens (slab serif)
• Cairo was a bitmapdingbat font, most famous for the dogcow at the z character position.
• Chicago (sans-serif) was the default Macintosh system font in System 1–7.6. Also seen on LCD screens of earlier iPod models.
• Geneva (sans-serif) is designed for small point sizes and prevalent in all versions of the Mac user interface. Its name betrays its inspiration by the Swiss typeface Helvetica. Nine point Geneva is built into Old World ROM Macs.
• London (blackletter) was an Old English–style font.
• Los Angeles (script) was a thin font that emulated handwriting.
• Mobile was a bitmapdingbat font. Before System 6, it was known as Taliesin.
• Monaco (sans-serif, monospaced) is a fixed-width font well-suited for 9–12 pt use. Ten point Monaco is built into Old World ROM Macs.
• New York (serif) was a Times Roman–inspired font. The name alluded to the inspiration, even though the Times for which Times Roman was created was that of London, not New York.
• San Francisco was a whimsical font where each character looked as if it was a cutout from a newspaper, creating an intentional ransom note effect.
• Toronto (slab serif) was a geometric design. It was removed from System 6 and later.
• Venice (script) was a calligraphic font designed by Bill Atkinson.

See also[edit]

Installing Fonts Mac Os

References[edit]

1. ^'Fonts supplied with Mac OS'. Microsoft. 2001-05-29. Retrieved 2008-07-17.
2. ^Strizver, Ilene (2015-06-29). 'Hermann Zapf, ITC & Apple: The History of ITC Zapf Chancery & ITC Zapf Dingbats'. CreativePro.com. Retrieved 2017-05-27.
3. ^ ^ab'The TrueType Font File - The Zapf table'. TrueType Reference Manual. Apple Computer, Inc. 2000-09-14. Retrieved 2017-07-25.
4. ^'World Class Cities'. Folklore.org. Retrieved 2008-07-17.

External links[edit]

Russian Fonts For Mac Os X El Capitan

• 'Mac OS 7.x, 8.x 9.x: Fonts Included With Major System Releases'. Apple Inc. 2002-06-11. Retrieved 2008-07-17.

Mac Os Font For Windows