Download VMware Fusion 11 and let your Mac run Windows, Linux or Mac OS X Server. Run the most demanding Mac and Windows applications side-by-side at maximum speeds without rebooting. Vmware mac os x lion. OS X 10.10, aka Yosemite, sports a more modern look and bridges the gap between Apple's desktop and mobile devices. The new Continuity helps you hand off tasks from iPhone to iPad to Mac, but that. Download Mac OS X Yosemite 10.10 6 part Google Drive; Download macOS Unlocker for VMware Workstation 11/12/14/15; Mac OS X Yosemite on VMware. Before going to create a VMware virtual machine. Firstly, you need to download the Mac OS X Yosemite DMG file, then after the downloading is done, therefore, you will see that the file is compressed. How to Install Mac OS X Yosemite on VMware on Windows; How to install Mac OS X Yosemite 10.10 on VirtualBox on Windows; Download macOS X Yosemite 10.10 Image for VMware & VirtualBox. The image file of macOS X Yosemite is created only to install in VMware and VirtualBox. Therefore, the file is completely compressed with Winrar and 7Zip.

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Apr 14, 2020 Mac OS X 10.8.5 Mountain Lion Universal Control Download Now Released November 16, 2017 View release notes 75.0 MB.

Work at a faster clip.

With its modern Metal engine, Final Cut Pro allows you to edit more complex projects and work with larger frame sizes, higher frame rates, and more effects — all at blazing speeds. And it’s built to harness the extreme power of the new Mac Pro for next-level performance.

Accelerated performance with Metal

Metal dramatically accelerates graphics tasks like rendering, real-time effects, and exporting. Video editors on 15-inch MacBook Pro will benefit from render performance that is up to 20% faster while editors using iMac Pro will see gains of up to 35%.¹ And when you’re working on a system with an eGPU attached, you can select which GPU to use — internal or external — for peak performance.

Optimized for the all-new Mac Pro

For the ultimate editing experience, run Final Cut Pro on the world’s fastest Mac, the new Mac Pro. Final Cut Pro takes advantage of all the GPUs in Mac Pro and uses multithreading to spread tasks across up to 28 cores. And when equipped with the optional Afterburner card, Mac Pro delivers the fastest ProRes and ProRes RAW performance ever with dynamic distribution of decoding across Afterburner and multicore CPU. So you can do things like edit video, create motion graphics, and color grade in groundbreaking 8K resolution. All at maximum velocity.

The tools you need. From start to finishing.

With innovative features and an intuitive design, Final Cut Pro accelerates post-production. So editors can create and deliver at the speed of thought.

The Magnetic Timeline allows you to easily experiment with story ideas by moving and trimming clips without collisions or sync problems. Use Compound Clips to bundle separate video and audio clips into a single movable package, create Auditions to try out multiple takes in the timeline, and use Synchronized Clips to align video with second-source audio automatically. Color coding makes it easy to identify different types of content, with the ability to customize the look of your timeline while you edit.

Final Cut Pro offers the most advanced organizing tools of any professional video editing application. Easily tag entire clips or clip ranges with metadata for searching, and create Smart Collections that automatically collect content according to a set of custom criteria. Skimming lets you efficiently browse hours of material in a more visual way, so you can identify what you want in seconds.

Create 2D and 3D titles right in Final Cut Pro, apply and modify filters, and use the built-in chroma key for high-quality green- and blue-screen effects. Expand on the built-in effects with thousands of third-party tools and templates. And for even more control, use Motion to create stunning titles, transitions, generators, and effects you can access from Final Cut Pro.

Final Cut Pro lets you edit multichannel audio using built-in tools for removing background noise and optimizing levels. Adjust multichannel audio files in the timeline or open the inspector for more information and options. Choose from dozens of bundled plug-ins for audio compression, EQ, and more — or send to a professional audio application like Logic Pro X for advanced audio mixing.

Quickly encode video using the power of multicore CPUs and high-performance GPUs. Take advantage of presets to deliver ultra-high-quality masters or files optimized for iPhone, iPad, Apple TV, and websites like YouTube and Vimeo. And batch exporting makes it fast to deliver multiple files or projects in multiple formats. You can also use Compressor to create custom export settings that appear right in Final Cut Pro.

Multicam

The industry’s most advanced multicam editing lets you automatically sync up to 64 angles of video with different formats, frame sizes, and frame rates. View up to 16 angles at once in the Angle Viewer. And open the Angle Editor timeline to move, sync, trim, add effects, or color grade individual clips.

Video noise reduction

Improve the look of archival and low-light images with powerful noise reduction tools that reduce or eliminate grain and video noise. Simple controls let you quickly adjust intensity, and it’s easy to change processing order by dragging the effect in the inspector.

Motion and Compressor

Create stunning effects and sweeping graphics with Motion, including studio-quality 2D and 3D titles you can open and adjust in Final Cut Pro. Use Compressor to create custom export settings and streamline delivery of your movie to the iTunes Store. And because Final Cut Pro, Motion, and Compressor all share the same Metal architecture, you’ll experience blazing performance and consistent rendering across applications.

Compressor

Advanced color grading.
Every pixel closer to perfection.

Professional color grading tools are built into Final Cut Pro, including a dedicated color inspector with color wheels, color curves, hue/saturation curves, and keyframes to adjust corrections over time. You can work with High Dynamic Range footage on recent Mac systems that display an extended range of brightness. Or connect the all-new Pro Display XDR for the ultimate HDR experience.

Unique color wheels improve on traditional controls by combining hue, saturation, and brightness into a single, simple interface.

Color and luminance curves allow ultrafine level adjustments with multiple control points to target specific color and brightness ranges.

Sample a color with an eyedropper and change just the hue, saturation, or luminance of a specific color within the image.

Work closer to reality than ever before with HDR video. Import, edit, grade, and deliver incredibly lifelike images with Final Cut Pro. High-resolution scopes reflect HDR brightness levels as you edit, and tone mapping lets you easily convert HDR to Standard Dynamic Range output for broadcast. You can view beautiful HDR content on a wide range of Mac computers that use the reserve brightness of the display to show an extended range of light levels.

HDR on Pro Display XDR

View High Dynamic Range video the way it was meant to be seen. The gorgeous new Pro Display XDR delivers 6K resolution and 1000 nits of sustained brightness for HDR editing, grading, and delivery with Final Cut Pro. And setup couldn’t be simpler — just connect a single Thunderbolt cable from your Mac to Pro Display XDR to use it as an additional display or video monitor.

ProRes RAW. The flexibility of RAW with the performance of ProRes.

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Import, edit, and grade pristine video with RAW data straight from your camera sensor. Work with ProRes RAW files and experience all the creative advantages of RAW with the seamless performance of ProRes. And with Mac Pro and the Afterburner card, you can edit in ProRes RAW faster than ever before.

ProRes performance

Remarkably smooth playback and real-time, multistream editing are part of the ProRes RAW package. The format is optimized for macOS and the latest Mac computers, allowing you to render and export faster than with other RAW formats. And if you’re working on Mac Pro, the optional Afterburner card accelerates ProRes RAW performance so you can edit at 8K resolution in real time. Since ProRes RAW files are smaller than standard formats, you can fit more footage on every card.

RAW flexibility

Work with untouched image data directly from your camera sensor. RAW files provide maximum flexibility for adjusting the look of your video while extending brightness and shadows — an ideal combination for HDR workflows. And ProRes RAW preserves more of the original image data, making it a great format for archiving.

Workflow extensions. Extend the power of Final Cut Pro.

Work directly with powerful third-party applications — without leaving Final Cut Pro.

Use the Frame.io extension to simplify review and approval. Drag and drop clips and timelines, jump between markers, and review comments and annotations in real time from your Frame.io collaborators.

The Shutterstock extension lets you browse stock photos, videos, and music while you edit. Drag and drop watermarked files into the timeline and easily replace them later with licensed, high-resolution versions.

Connect directly to CatDV and KeyFlow Pro media asset management systems so you can browse, mark, and transfer files from within the Final Cut Pro interface.

Simon Says uses AI to transcribe and translate audio in 100 languages. Drag and drop clips and timelines into the extension to easily create accurate subtitles and captions for your Final Cut Pro project.

Latest Update For Mac Os

360° video. Take your work further. In every direction.

Final Cut Pro includes a complete toolset for importing, editing, and delivering both monoscopic and stereoscopic 360° video.

360° editing

Import and edit 360° equirectangular footage in Final Cut Pro. Open the 360° viewer to see a headset view of your footage, and take advantage of simple tools for changing orientation, straightening the horizon, removing camera rigs, and more.

360° graphics and effects

Easily add 2D and 3D titles to your 360° video and apply blurs, glows, and other 360° effects. Or create more advanced 360° motion graphics in Motion, then add them directly to your Final Cut Pro project. You can even add 360° video to non-360° projects, using the Tiny Planet effect to create interesting spherical looks and animations.

VR headset playback

Watch your 360° video in real time with a VR headset like the HTC Vive Pro. Choose to mirror the headset view in Final Cut Pro, or turn off mirroring to watch video in the headset while independently controlling a separate view on your monitor.

Closed captions. Open to all.

Final Cut Pro includes an intuitive, comprehensive set of tools for closed captioning in a variety of formats, without the need for expensive third-party software or services. You can create, view, and edit captions within Final Cut Pro, and deliver them as part of your video or as a separate file.

Add an existing caption file to your project and Final Cut Pro automatically connects each caption to the corresponding video or audio clip in your timeline.

Type captions from scratch — in multiple languages and formats — and watch the text play back in real time right in the viewer.

Attach captions to connected audio or video clips in the timeline so they move in sync with your edit. It’s easy to adjust text, color, location, and timing in the captions inspector. And the enhanced Timeline Index lets you quickly search and select captions, or use captions roles to instantly switch between different versions.

Export captions in the industry-standard CEA-608, iTT, or SRT formats. Or burn them directly into your video. When delivering, you can choose to embed caption metadata in your video file or create a separate sidecar file. Captioned videos can be shared directly to YouTube and Vimeo. And you can send your project to Compressor to include captions in a batch or an iTunes Store package.

Step up from iMovie to Final Cut Pro.

iMovie is the easiest way to start making movies. And when you’re ready to ramp up production, it’s effortless to switch to Final Cut Pro from iMovie for iOS or iMovie for Mac. You’ll cut faster and more precisely with advanced editing tools, improve the look of your projects with third-party plug-ins, and easily integrate video recorded with professional cameras from RED, Sony, Canon, and more. You can import your iMovie projects right into Final Cut Pro, so you won’t miss a beat — or a cut — when you upgrade.

Third-party tools to make your workflow flow.

Choose from thousands of custom transitions, titles, and motion graphics. Work directly with powerful applications through workflow extensions in Final Cut Pro. And take advantage of other third-party tools for advanced tracking, EDL and AAF interchange, and more.

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Unleash your creative potential with the Pro Apps Bundle for qualifying college students, teachers, and education institutions. Get all five professional applications for video and music creation at a special price — including Final Cut Pro X, Motion, and Compressor, along with Logic Pro X and MainStage.

The Power Mac G4 is a series of personal computers designed, manufactured, and sold by Apple Computer, Inc. from 1999 to 2004 as part of the Power Macintosh line. Built around the PowerPC G4 series of microprocessors, the Power Mac G4 was marketed by Apple as the first 'personal supercomputers',^[1] reaching speeds of 4 to 20 gigaFLOPS. This was the first existing Macintosh product to be officially shortened as 'Mac', and is the last Mac able to boot into classic Mac OS.

The enclosure style introduced with the Power Macintosh G3 (Blue and White) was retained through its entire five year production run of the Power Mac G4, albeit with significant changes to match Apple's evolving industrial design and to accommodate increasing cooling needs. The G4 and the enclosure were retired with the introduction of the Power Mac G5.

PCI Graphics/AGP Graphics/Gigabit Ethernet[edit]

The original Power Mac G4 was introduced at the Seybold conference in San Francisco on August 31, 1999.^[2] There were two variants, officially titled Power Mac G4 (AGP Graphics) with 400 MHz, 450 MHz and 500 MHz configurations available, and Power Mac G4 (PCI Graphics), with 350 MHz and 400 MHz configurations. Colloquially, this generation of Power Mac is referred to as 'Graphite', owing to the colors of the case being similar to the iMac G3 Graphite.

Apple originally planned to ship the 500 MHz configuration in October 1999, but they were forced to postpone this because of poor yield of the CPUs. In response, Apple reduced the clock speed of the processor in each configuration by 50 MHz (making the options 350 MHz, 400 MHz and 450 MHz), which caused some controversy because they did not lower the original prices.^[3]

The early 400 MHz (later 350 MHz) PCI-based version used a motherboard identical to the one used in Power Macintosh G3 (Blue and White) computers including the use of Zero Insertion Force (ZIF) processors sockets^[4] (minus the ADB port), in a 'graphite' colored case and with the new MotorolaPowerPC 7400 (G4) CPU. The higher-speed models, code name 'Sawtooth', used a greatly modified motherboard design with AGP 2x graphics (replacing the 66 MHz PCI slot).

The PCI variant was discontinued at the end of 1999.^[5]

The machines featured DVD-ROM drives as standard. The 400 MHz and 450 MHz versions had 100 MBZip drives as standard equipment, and as an option on the 350 MHz Sawtooth. This series had a 100 MHzsystem bus and four PC100SDRAM slots for up to 2 GB of RAM (1.5 GB under Mac OS 9). The AGP Power Macs were the first to include an AirPort slot and DVI video port. The computers could house a total of three hard drives, two 128 GB ATA hard drives and up to a single 20GB SCSI hard drive, with the installation of a SCSI card.

The 500 MHz version was reintroduced on February 16, 2000, accompanied by 400 MHz and 450 MHz models. DVD-RAM and Zip drives featured on these later 450 MHz and 500 MHz versions and were an option on the 400 MHz.

The Power Mac G4 (Gigabit Ethernet) model was introduced at Macworld ExpoNew York on July 19, 2000; the new revision included dual-processor 450 MHz and 500 MHz versions, and a low-end single CPU 400 MHz model. It was also the first personal computer to include gigabit Ethernet as standard. Most people saw this revision as a stopgap release, because higher clocked G4s were not available; the G4’s Motorola XPC107 “Grackle” PCI/Memory controller prevented the G4 from hitting speeds higher than 500 MHz.^{[citation needed]} The dual 500 MHz models featured DVD-RAM optical drive. Zip drives were optional on all models. These models also introduced Apple's proprietary Apple Display Connector video port.

You can either run /opt/local/bin/inkscape form Terminal, navigate with Finder to /opt/local/bin and double click on inkscape or create a symlink for you own convenience to have it appear in your Applications folder (ln -s /opt/local/bin/inkscape /Applications/Inkscape).Why is MacPorts compiling everything?The ability to use pre-compiled packages depends on the default installation path (/opt/local/bin) and MacPorts being configured to use binary packages if available. Both things are taken care of for you when using the.pkg installers. You have not logged out and back in to your Desktop after having installed Xorg.How can I launch Inkscape with Finder?Since there is no application bundle you have to launch the main binary directly.

Digital Audio/Quicksilver[edit]

A new line with a revamped motherboard but the familiar 'Graphite' case debuted on January 9, 2001. Known officially as the Power Mac G4 (Digital Audio), it is in effect a Quicksilver design inside the Graphite enclosure. Motorola had added a seventh pipeline stage in the new PowerPC G4 design to achieve faster clock frequencies. New features included a fourth PCI slot, a 133 MHz system bus, an improved 4X AGP slot, and a new 'digital audio' Tripath Class T amplifier sound system. The models were offered in 466 MHz, 533 MHz, dual 533 MHz, 667 MHz and 733 MHz configurations, the latter two using a newer PowerPC 7450 processor. The number of RAM slots was reduced to three, accommodating up to 1.5 Gigabytes of PC133SDRAM.

The 733 MHz model was the first Macintosh to include a built-in DVD-R or Apple-branded SuperDrive, the rest of the line became the first Macs to ship with CD-RW drives. This was also the first series of Macs to include an Nvidia graphics card, the GeForce 2MX.

At Macworld ExpoNew York on July 18, 2001, a new line debuted featuring a cosmetically redesigned case known as Quicksilver, and various upgrades to the specifications. It was available in 733 MHz, 867 MHz and dual 800 MHz configurations. The 733 MHz model was notable for not having a level three cache. The SuperDrive was offered on the mid-range 867 MHz model, and UltraATA/100 hard drives were offered on all models. The internal speaker received an upgrade, using a Harman/Kardon speaker.

Quicksilver received criticism in MacWorld's review for removing the 'eject' button and the manual eject pinhole, as well as the pass-through monitor power plug, and for the base specification of 128 MB RAM as being insufficient for running Mac OS X.^[6]

Updated Quicksilver machines, officially named Power Mac G4 (QuickSilver 2002), were introduced on January 28, 2002 with 800 MHz, 933 MHz and dual 1 GHz configurations. This was the first Mac to reach 1 GHz. Again, the low end 800 MHz model did not include any level three cache. The graphics in this series were provided by an Nvidia GeForce4 MX400 card. Some of these models have ATA controllers with 48 bit LBA for hard drives larger than 128 GB.

Mirrored Drive Doors/FW800[edit]

Another generation of Apple Power Mac G4s, officially named 'Mirrored Drive Doors' (MDD), was introduced on August 13, 2002, featuring both a new Xserve-derived DDR motherboard architecture and a new case design. All models were available in dual processor configurations running at 867 MHz, 1 GHz or 1.25 GHz. As with the Xserves, the PowerPC 7455 CPU used does not have a DDR frontside bus, meaning the CPU could only use at most 50% of the new system's theoretical memory bandwidth, providing no improvement over previous models. The rest was available to the graphics card and I/O systems. A single processor 1.25 GHz model would be the last Power Mac G4 the company offered to the public after the announcement of the new Power Mac G5, introduced in June 2003.

The last real update to the Power Mac G4 line was on January 28, 2003 offering dual 1.42 GHz PowerPC 7455 processors, with features not seen in previous DDR models: built-in FireWire 800 connector, optional integrated Bluetooth, and optional integrated AirPort Extreme. These were also the first Power Macs that could not boot into Mac OS 9.

With the launch of the Power Mac G5 on June 23, 2003, Apple re-introduced the August 2002 Power Mac G4 because of perceived demand for Mac OS 9 machines. Between that, its low price-tag, and the delayed availability of Power Mac G5s, it proved a strong seller for a relatively short time. Production stopped on June 27, 2004 and the remaining inventory was liquidated, ending the 20-year legacy of Classic Mac OS support with its discontinuation.

Timeline of Power Macintosh models

See also[edit]

Notes[edit]

1. ^'Apple Unveils `Personal Supercomputer''. SFGate.
2. ^'Apple steps up to G4 Macs'. ZDNet.
3. ^'The 400 MHz PowerMac Reviewed'. The Mac Observer. February 21, 2000. Retrieved October 19, 2008.
4. ^'The Apple Power Macintosh G4 400MHz PCI'. Forevermac.com. Retrieved November 30, 2011.
5. ^'Power Mac G4 (PCI Graphics) - Technical Specifications'.
6. ^'Hands on with the Power Mac G4/867'. MacWorld. August 25, 2001.